By Morley Winograd and Michael D. Hais
In his autobiographical film, “Avalon,” Barry Levinson captured what he believed to be the impact of America’s suburban exodus on his large and fractious family. He suggested that the weakening of the ties that bound his previously close-knit family was due to its dispersal to the suburbs rather than the social upheavals of the 1960s that he captured so well in the other two films in his Baltimore trilogy – “Diner” and “Liberty Heights.” read more »